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Our Twenty-one Backlist Titles: Click on an image to see extracts |
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DISGUISE. This collection by Shetland-based poet Alex Cluness is deceptive in more ways than one. Apparently simple, the poems lure you into the minds of eighteen different men filled with the hopes and despairs of being in love. Funny and poignant, they suggest that the porn star and the minister, the zen master and the boxer, the astronaut and the alcoholic have at least this much in common: that love can be the loneliest emotion in the universe.
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THE GLESS HOOSE. Four short stories written in her own rich Scots by Angus writer Mary McIntosh. Again, the concise directness of these stories belies the storm of emotions raging just below the surface – a storm that bursts through when a soldier in Bosnia comes face to face with his own hatred, when women try to break out of relationships with violent or useless men, or when a young lad, confronted by his own sexuality, acts on it and detonates an explosive reaction from his parents.
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SCOTTISH FAUST: Poems and ballads of eldritch lore. Writing in both Scots and English, Tom Hubbard revisits the Faust legend and gives it a Scottish accent. The ballad tradition is strongly present as the dusty-foot makar crosses and re-crosses the borders of reality and fantasy. Medieval polymath Michael Scot makes several appearances, while on the way homage is paid to Shakespeare, Berlioz, Dumas père, R.L. Stevenson, Ronald Stevenson and others.
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ROCK IS WATER or A History of the Theories of Rain. Eagerly waited first collection from Colin Donati, well-known poet and songwriter in Edinburgh, whose work has appeared widely in magazines and anthologies. Containing 36 poems, Rock is Water is a dazzling array displaying Donati’s fascination with wordplay and structure, covering themes of natural history, the transience and durability of human achievement, time, history and both the surface and deep meanings of language. |
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SPALEBONE DAYS. Six finely written reminiscences which capture the smells, colours, sights and sounds of Stockbridge in Edinburgh in the 1950s, by poet Jim C. Wilson. Whether recalling going on holiday to unexotic Burntisland, going to the cinema to see Elvis Presley in Loving You, or simply going the messages (charged with the mortifying task of telling the butcher that he had sold his mother spalebone instead of silverside), Jim Wilson brings out the character of Edinburgh at a time which, though barely more than half a lifetime away, seems now almost as remote as the Victorian era. |
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THE UNSEEN HOSPITAL. The fruits of a residency at Dumfries Royal Infirmary and Crichton Royal, this collection by Fife-based poet Maureen Sangster celebrates some of those workers who are not so visible in hospitals – among them the ladies of the sewing and linen services, porters, caterers and hairdressers. It is also a moving, thoughtful, humane and humorous meditation on health, life, death, recovery, sadness and happiness in a location – the hospital – where all of these things are brought sharply into focus. Includes line illustrations by the author. |
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STIRLING SONNETS: James Robertson. |
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SOFT SOAP: Delia Gallagher. |
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MR AND MRS PHILPOTT ON HOLIDAY AT AUCHTERAWE & OTHER POEMS:
Helena Nelson. |
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FAE THE FLOUERS O EVIL: James Robertson. |
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THE SINNING OF JESSIE MACLEAN: Lorna Moon. |
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IN THE ORCHARD by Muriel Stuart. Praised by Hugh MacDiarmid as
the best of the women poets writing during the Scottish Renaissance, Muriel
Stuart, it turns out, was not Scottish at all, but English. MacDiarmid was
right in other respects though - she was a superb poet, writing in the 1920s
on sexual politics, love and nature with immense courage and profundity.
Her neglected work includes such gems as 'The Seed Shop', 'Mrs Effingham's
Swan Song' and the title poem of this selection, which is the first new edition
of her poetry for more than seventy years (36 pages). |
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HORACE IN TOLLCROSS by Angus Calder. Sheer delight is the best
way to describe Angus Calder's translations from the odes of Horace, which
he has relocated to central Edinburgh. Booze, women and song, foul weather,
friendship and the odd dart flighted at fat-cats and New Labour mark these
poems which form a brilliant portrait of Auld Reikie today. Carpe diem -
seize the pamphlet! (32 pages) |
PATHFINDER by Ellie McDonald. Ellie writes and speaks of her native Dundee with total committment and honesty. her work is widely admired, but till now she has only had one collection published, The Gangan Fuit. This new pamphlet contains work that has appeared in Chapman as well as previously unpublished poems (16 pages). ISBN 1 902944 05 4 | £3.00 | Reviews | Read Extracts |
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A RISING FEVER by Ian McDonough. In this meticulously crafted sequence Ian McDonough addresses the constant bombardment of words and information that we are all subjected to - and makes sense of it. Here, language is honed down to the bare essentials. Originally from Brora, Sutherland, Ian is now based in Edinburgh, where he is a leading light in the Shore Poets. (16 pages) ISBN 1 902944 06 2 | £3.00 | Reviews | Read Extracts |
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HELLO, MAISTER SMYTH by Brent Hodgson. A new collection from New
Zealand-born Brent Hodgson. Brent's talents are such that he can apply his
unique brand of Scots with equal skill to moving translations from Chinese,
quiet meditations and droll takes on life's absurdities. Who else is using
the language of the makars to tackle such subjects as spaghetti hoops and
python-wrestling? (20 pages) |
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I DREAM OF ALFRED HITCHCOCK by James Robertson. Poems inspired
by the films of the dark genius of suspense. Where Hitchcock left off, these
poems move on into unexpected and sometimes disturbing places. James
Robertson is a poet and fiction writer, author of Scottish Ghost Stories,
The Ragged Man's Complaint, Sound-Shadow, and co-editor of the Dictionary
of Scottish Quotations. He is a regular reviewer for Scotland on Sunday.
His first novel The Fanatic has just
been published by Fourth Estate. (24 pages)
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TEMPLES FAE CREELS by Andrew McNeil. McNeil's poems open in Anstruther
and move outwards, from childhood to adulthood, from local to universal themes,
exploring questions of culture, language, community and inheritance. (20
pages)
ISBN 1 902944 02 X | £3.00 | Reviews | Read Extracts |
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LA A' BHREITHEANAIS or THE DAY O JUDGMENT by Dugald Buchanan,
translated into Scots by James Robertson. This long poem on the final
confrontation between God and sinner is generally regarded as Buchanan's
masterpiece. A terrifying and dramatic vision of eternal punishment, it is
printed here in full, in dual Gaelic and Scots texts: a publishing first.
Dugald Buchanan (1716-68) was born in Strathyre, and became an evangelical
itinerant preacher and later a teacher at Kinloch Rannoch. "A fine poet,
an eloquent man, and mighty in the Scriptures", he left only a handful of
poems, which were published the year before his death.32pp
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THE GRAVY STAR by Hamish MacDonald. Extracts from this extraordinary
novel, set in Glasgow and beyond. MacDonald's main character Farquhar McLay
leads a traumatised existence beneath the streets of the city, seeking solace
in the hills and countryside. Farquhar's skewed view of life is by turns
bewildering, moving and hilarious.
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SAIR HEID CITY by Matthew Fitt. Another publishing first: extracts
from But n Ben A Go-Go, as far as we know the only science fiction
novel written entirely in Scots. In the island city of Port, Paolo Stevenson
Broon is running out of time and money as he tries to locate the carrier
of the virus which has struck down his beloved Nadia and left her cocooned
in the high-security Rigo Imbeki Medical Center. A linguistic tour de force.
Matthew Fitt was writer-in-residence at Hugh MacDiarmid's cottage, Brownsbank,
near Biggar, from 1995 to 1997. His stories and poems, including the infamous
'Kate O' Shanter's Tale', have been widely published in magazines and
anthologies, and in his collection Pure Radge.
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